![]() Here, Cee Lo adopts a similarly smooth tone to that of 'Crazy', but his raps are fluid, suiting Danger Mouse's glossy hip-hop soundscape wonderfully. ![]() Of course, the lyrics probably aren't there to be interpreted literally - no doubt there's some intention to suggest the presence of inner demons when under-the-bed beasties are mentioned - but falling mid-album it provides a little light relief from the often dizzying blitz-beats of other arrangements. Positives, now, for there are many: 'The Boogie Monster' is a great little baritone paean to the horrors of the night, to the things that go bump-itty-bump just out of your peripheral vision. It's a sing-along in the making, sure to have behinds up from seats at live shows, but comprises one of this album's weaker moments. 'Gone Daddy Gone' arrives soon after, coming on like Polysics penning a track for some pop-hop, blue-eyed R&B boyband or other, rapid-fire beats matched with a professional but uninspiring vocal. That it's one of the few credible number ones the UK has had in recent memory is a no-brainer, but its sequencing at track two deals it a poor hand Cee Lo's incredibly soulful vocal would suit the second half of St Elsewhere so much better. With such a seemingly haphazard approach to formulating these compositions, it's inevitable that certain songs seem a little out of sorts with their surroundings funnily, 'Crazy' is one of them. It's the circus coming to your town via a toy-store brass band and the stuffed animal aisle, childish yet bearing the hallmarks of future greatness. The song pulses in palpitations, Cee Lo's vocal more urgent than at any moment of that history-making single beats are spread wide and trip over each other, fast and furious. But it takes only two or three seconds of the opening_ 'Go Go Gadget Gospel'_ to realise that the pair have dared to experiment with a healthy dose of variety. It's only natural for the sceptic to assume that the spectacularly successful lead single to be lifted from this debut album - the collaborative project of Goodie Mob's Cee Lo and DM & Jemini's in-demand Danger Mouse - would have its formula repeated across the entirety of its parent long-player. Fourteen tracks, one 'Crazy', initial fears quashed.
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